2019 - 2022
2012 - 2015
2022
2022
2022
2022
2022
2021
2021
2021
2021
2021
2021
2020
2020
2019
2019
2018
2018
2018
2018
2017
2016
2016
2016
2016
2015
2015
2013
2021
2020
2020
2019
2018
2014
2013
2013
2012
2012
2010
2021 - Present
2018
2016
2015 - 2017
2021
2021
2019
2015
2013
2021
2021
2021
2020
2019
Education
MFA FINE ART, Goldsmiths University of London, London, UK
BA FINE ART (4D Pathway), Central Saint Matins, University of the Arts London, London, UK
Upcoming / Current
Intelligence Debiased, Exposed Arts Projects, London, Dates TBC
Selected Exhibitions and Screenings
Bionic Step, Overmorrow House, Battle
Alchemy Film and Moving Image Festival, Hawick
Mixed Bag, St James Hatcham Building, Goldsmiths, London
Bionic Step, Future Artefacts FM, Radio Thames Mead, Online
Ghost Show: A Nightmare Before Christmas, Curated by Kavitha Balasingham and Rory Beard, Hartslane Gallery, London
Second Wave, Curated by Amanda Abi Khalil, Bianca Bernardo and Cherine Karam ,COVIDEOART, Online
Underpinned By The Movements of Freighters, Curated by Joe Moss, Florence Trust, London (Publication)
Performative Acts of the Everyday, Curated by Marina Cortes, DFBRL8R Gallery, Chicago
Access (Annexe), curated by Camille Moreno, SEAGER, London
Icarus Blue, Curated by MH Sarkis, Netail Radio, Online
Human Sovereignty, Curated by Kristian Lukic and Martina Ivičič, Robota - Center for Advanced Studies, Bratislava
Emergency Festival, Curated by Jorge Poveda, Online
Trust Exercises: The Bar Fight,Curated by Georgia Stephenson, Collective Ending, Artlicks Weekend, London
Feels Like a New Beginning, NY Chashama Space, New York
Postage and Packaging Paid for, Curated by Georgia Stephenson, Artlicks Weekend, London
Let Me Entertain You!, Curated by Georgia Stephenson, Enclave Projects, London
Both Performers Begin Standing at Opposite Corners of the Room, The Institute of Light
BF Artist Film Festival VI, The Bomb Factory Art Foundation, London
BF Artist Film Festival V, The Bomb Factory Art Foundation, London
So Many Steps So Little Time, Curated by Jerome Jacobs,Culture Centrum Brugge: De Bond, Belgium
Site and Cycle, Artscape Gibraltar Point, Toronto, Canada
AP2artists, Acme Studios, Highline Building, London
30/30, Thirty Works, 12o Collective, Online
Central Saint Martins Degree Show, Central Saint Martins, London
Strangelove Moving Image Festival, London
Proprioception, Lewisham Arthouse, London
Performances and Choreography (Selected)
BUOY, (With Mary Hurrell), Nicoletti Contemporary, London
I Lick The Roof of My Mouth, (For Eleni Papazoglou) Working Progress, South London Gallery
Dark Water 3, (With Mary Hurrell), Matt's Gallery, London (Postponed)
Trust Exercises: The Bar Fight, Collective Ending, Artlicks Weekend, London
Movement Study 6 (MAXXINNA), (With Mary Hurrell), The Bower, London
It's About to Begin, Central Saint Martins, London
The Cage (Lauren Jane Williams), Lilian Baylis Studio, Sadler's Wells, London
Double RR Club, Southbank Centre, London
Tarot Drome, Carnesky Productions, Old Vic Tunnels, London
Modern Panic, Apairy Studios, London
Dystopian Wonders, Carnesky Productions, The Lowry, Manchester
Awards and Residencies
Future Artefacts FM, Radio Thamesmead, London
ChaNorth Artist Residency, Pine Plains, New York USA
Site and Cycle, Toronto, Canada
Acme/CSM Associate Studio Program
Publications
Dancing someone else's movements through someone else's body, Written in collaboration with Jorge Poveda, Dance Articulated, Norwegian University of Science and Technology
For an Imaginary Page Curated by Jorge Van den Eynde, Concreta Online
Interdependence (commission), Artlicks Magazine
Nina Davies: Transition as Movement, Challis, Daniel, 1 Granary, (online)
Lynch Mob, Walters, Ben, Time Out
Talks and Conferences
Visiting Lecturer, Universidad Central del Ecuador, Quito
Dancing with Decolonisation, University of Roehampton, London
Artists in Coversation: Performance Art under Covid-19, Led by Emily Perry, Saloon London
Visiting Tutor, MFA Curating, Goldsmiths University of London, London
Moving Beyond Coloniality, PoP Moves 12th annual Conference, University of Roehampton